For this project, I used the opening of my viewfinder to isolate 24 dynamic compositions within magazine pages. Each composition was completely non-representational; with no identifiable objects within the frame. I outlined the composition with pencil, and then cut out each of them with scissors. Then, I chose the two strongest compositions. In my sketchbook, I did one thumbnail sketch for each of these compositions. After that I chose the strongest composition from the two sketches. I re-created this composition on a 9” x 12” drawing paper. Then, I used micron pens to complete the composition by drawing over some of the lines I drew with pencil. I used the various pen nib sizes to create variation of line thickness. Finally, I mounted my final drawing on a 14” x 17” Bristol board using rubber cement glue. I drew two dynamic compositions because I could not decide which one to submit.