This paper presents an in-depth analysis of cinematic techniques in Walter Salles’ Central Station, focusing on a pivotal scene from 50:00 to 1:00:00 that marks a transformative shift in the protagonist, Dora. Initially depicted as a cynical, disconnected retired schoolteacher who scams clients at Brazil’s Central Station, Dora undergoes a profound evolution as she journeys with Josue, a lost boy seeking his father. Through close examination of mise-en-scène elements like 3-grid layouts, close-ups, and symbolic props such as broken glass and blankets, I explore how Salles conveys themes of loneliness, human connection, and the emergence of empathy. This scene captures Dora’s transition from isolation to compassion, a shift mirrored in the audience’s perception of her. As a Computer Science student, this work showcases my ability to dissect complex systems, such as a film’s narrative structure, and extract meaningful patterns, much like analyzing code or datasets. My methodical breakdown of visual and auditory cues reflects the same critical thinking I apply to debugging or problem-solving in programming. Moreover, articulating these insights in a clear, structured way demonstrates my communication skills, which are essential for translating technical concepts to diverse audiences in data analysis or technical writing roles. While not a traditional CS project, this analysis underscores my versatility and analytical depth to interpret and convey complex ideas effectively.